I think we can all agree that there’s nothing worse than an out-of-tune guitar. When the dogs in your neighborhood start singing along to your jam, it’s time to rethink things a bit.
Not tuning your guitar is certainly one cause, but that can be easily rectified by, well, tuning the darn thing. Having your guitar set up by a professional at least once a year should be mandatory (though I’ve heard that twice a year is actually more proper).
Despite those two things, however, due to the tempered tuning nature of the guitar sometimes stuff still doesn’t come out 100% in tune. The variances are usually small, and by now our ears are for the most part used to it, but that should not preclude us from trying harder.
But what can we do? I mean, if the darn thing has been set up, frets dressed, truss rod adjusted, you’ve used three different tuners on it, and some notes STILL don’t play completely in tune, what the heck are we supposed to do about it?
Fret not, my fretting Fretheads…
Now I’m sure that, after having read that setup, you were probably thinking I had some really cool “trick” or equipment solution to the problem. If you were one of those people, shame on you for thinking I would give you a magic pill to swallow; you should know me better than that. No, my solution is actually going to take some work. Sorry, but you asked for it!
My friend Erik of Modified by Man was the first person that hipped me to this, and I am a bit ashamed that I hadn’t really thought of it myself. He plays a road-tested Telecaster. Every time he plays a standard open C chord, the B string is always slightly flat. To compensate, Erik has to use his first finger to bend the note sharp a little bit to keep everything in tune. Needless to say this is not the easiest thing to do, but because the quality of his music is so important to him, he took the time to work out and practice bending the B string slightly sharp in order to get things in tune.
I was also watching a Jeff Beck concert that has been playing on US cable TV a lot recently. On one part of one song the bassist – the incredible Tal Wilkenfeld – had to bend her A string on the 7th fret in order to get the note ‘E’ to tune up to the rest of the band properly. This was something I saw more so than something I heard (which is a testament to how good she is) but it further reinforced not only how important being in tune is, but also how the professionals truly set themselves apart from the amateurs.
If you are interested in exploring this further, my suggestion is to first and foremost get your guitar set up. Doing so will give you the cleanest slate to work from. Once you have that done, use a clip-on tuner and start playing some single notes. See where the tuner recognizes the note you are playing and bend the string accordingly. Of course, this really only applies to notes that – when fretted – sound flat. Notes that are sharp obviously can’t be bent flat, and that generally means your guitar isn’t tuned properly to begin with.
Try this on several strings and in different parts of the fingerboard. See which notes are the most out-of-tune and practice getting them in tune as best as possible. In time, and with diligent practice, it will become second nature and your music will sound even sweeter than it already does now!








Another really great post Josh, it brightens up my day when the RSS reader pops up with a new Fretterverse article. As with all of your tips I shall be exploring this one after work tonight!
Is that the ‘Live At Ronnie Scott’s’ gig you’re talking about? I’ve been watching that one on YouTube the last couple of weeks. I’d never heard of Tal Wilkenfeld, but man can she play. I’m off to see Jeff play next month, should be an eye opener!
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Yes, the Ronnie Scott gig, but I don’t remember which song it was.
In the past 5 years I have found my guitars becoming more and more “out of tune” intonation wise and it was starting to bug me. I would measure up on the frequency’o'meter and on various frets it would be a little sharp. I had a guy look at it, and he said it was in fact not too bad at all, only people with a good ear would notice it. I have thought for a long time that I didn’t have a good ear at all, that if anything I was tone deaf!
So it would seem that in the past 5 years, where I have been playing more guitar than I have probably done in my life, I’ve atually developed an ear for pitch. I’ve discovered it’s both a blessing and a curse. All I have to do is press a bit harder on a string (nylon), or when forming some stretchy finger chordage, just pulling one of the strings a little bit too far out of place – and eugh, it’s out of tune.
So the top priority when I bought my latest guitar was the most accurate fret distances across the board. I tested a lot of guitars – and even the one I eventually got wasn’t perfect, but it was bloody close. I filed the saddle (acoustic) a little to bring the 12th even closer, so it was a good starting point.
So now, when I’m playing and I’m hitting notes out of tune it’s my fault for bad fretting. I’ve learnt in “my set” where I pull and push too hard, and attempt to adjust to suit. I detune particularly on some Drop D tunings just slightly on the flat side, “pre-loading” the fact that when say playing a G chord where the sixth needs a 5th fretting instead of 3rd, so I tug a bit hard. And suck it in when the open D sounds a bit low
I saw Tal with Jeff Beck live here in Perth Western Australia a year back. She is a Monster on bass, it was amazing to see, she stole the show for me!
JAW
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