There are two primary schools of thought when it comes to scales and improvisation. The first is to treat each chord as a separate entity and improvise using certain scales/modes over each one individually. I like to think of this as “vertical improvisation” as the player deals with each chord individually. The second is to [...]
Continue reading...Thursday, May 13, 2010
Barry Galbraith was a well-respected jazz guitarist who played with everyone from Miles Davis to Sarah Vaughan. Though he was generally not known outside of the jazz guitar community such as the likes of Wes or Metheny, he made an indelible mark on the instrument and has appreciated a wide range of great players who [...]
Continue reading...Monday, February 1, 2010
The melodic minor scale is commonly used in jazz and classical music and to a lesser extent by shred and metal guitarists. While most people are familiar with the Aeolian, natural, minor scale, the melodic minor scale remains a bit of a mystery for many players. In the following four examples we will take a look at some of the common, and not so common, ways to finger the melodic minor scale.
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Tuesday, June 29, 2010
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