There are two primary schools of thought when it comes to scales and improvisation. The first is to treat each chord as a separate entity and improvise using certain scales/modes over each one individually. I like to think of this as “vertical improvisation” as the player deals with each chord individually. The second is to [...]
Continue reading...Friday, March 5, 2010
We’ve all been there: the endless quest for the perfect instrument. You know, the one that will make you a better player, that feels so comfortable in your hands that you never want to put it down. Like everyone else, I’ve been seduced by glossy magazine covers of the latest “must have” instruments. Over many [...]
Continue reading...
Tuesday, June 29, 2010
2 Comments