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	<title>Fretterverse.com: Guitar Blog &#124; guitar news &#38; reviews, amps, effects, guitars, music theory, guitar lessons &#187; jazz chords</title>
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	<description>For the Love of All Things Guitar</description>
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		<title>Jazz Guitar Harmony by Jody Fisher (book)</title>
		<link>http://fretterverse.com/2010/09/10/jazz-guitar-harmony-by-jody-fisher-book/</link>
		<comments>http://fretterverse.com/2010/09/10/jazz-guitar-harmony-by-jody-fisher-book/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 12:26:19 +0000</pubDate>
		<dc:creator>Josh</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[comping]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[guitar chords]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[jazz chords]]></category>
		<category><![CDATA[jazz comping]]></category>
		<category><![CDATA[jazz guitar]]></category>
		<category><![CDATA[Jazz Guitar Harmony]]></category>
		<category><![CDATA[jazz harmony]]></category>
		<category><![CDATA[Jody Fisher]]></category>

		<guid isPermaLink="false">http://fretterverse.com/?p=1845</guid>
		<description><![CDATA[I love chords. Love &#8216;em, love &#8216;em, love &#8216;em! I&#8217;m one of &#8220;those&#8221; guitar players that gets off on hearing great guitar rhythm playing/comping than a great solo. Especially in regards to jazz, comping and playing the right notes and chord voicings is where it&#8217;s at. There is nothing like hearing a new chord underneath [...]<p><a href="http://fretterverse.com/2010/09/10/jazz-guitar-harmony-by-jody-fisher-book/">Jazz Guitar Harmony by Jody Fisher (book)</a> is a post from: <a href="http://fretterverse.com">Fretterverse.com: Guitar Blog | guitar news &amp; reviews, amps, effects, guitars, music theory, guitar lessons</a>. If you are reading this on a site that is not Fretterverse.com, it's been ripped. Please come to the <em>real</em> Fretterverse.com.</p>
]]></description>
			<content:encoded><![CDATA[<div id="attachment_1846" class="wp-caption alignleft" style="width: 178px"><a href="http://www.amazon.com/gp/product/073902468X?ie=UTF8&amp;tag=fretterversec-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=073902468X" title="Jazz Guitar Harmony - Jody Fisher"><img class="size-full wp-image-1846" title="Jazz Guitar Harmony - Jody Fisher" src="http://fretterverse.com/wp-content/uploads/2010/09/jazzGuitarHarmonyFisher.jpg" alt="" width="168" height="232" /></a><p class="wp-caption-text">Jazz Guitar Harmony by Jody Fisher</p></div>
<p>I love chords. Love &#8216;em, love &#8216;em, love &#8216;em!</p>
<p>I&#8217;m one of &#8220;those&#8221; guitar players that gets off on hearing great guitar rhythm playing/comping than a great solo. Especially in regards to jazz, comping and playing the right notes and chord voicings is where it&#8217;s at. There is nothing like hearing a new chord underneath a nice melody line in a ballad that sends shivers up my spine.</p>
<p>Let&#8217;s be honest. Guitar solos are great. We all know that; that&#8217;s why we started playing guitar to begin with, right? Without a great harmonic background to support that ripping solo, however, it&#8217;s just not the same.</p>
<p>And so, in my desperate quest to <em>try</em> and pass myself off as a jazz guitar player (still working on it&#8230;) I purchased pretty much every jazz guitar harmony/chord book there is. We&#8217;re talking dozens and dozens of books. I think I kept the jazz guitar education community gainfully employed for a few months.</p>
<p>Of all the books I bought, only a few managed to stick out and stay on the top of the pile. Though most covered the same material, it&#8217;s all in the presentation. <a href="http://www.amazon.com/gp/product/073902468X?ie=UTF8&amp;tag=fretterversec-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=073902468X">Jazz Guitar Harmony</a>, written by guitarist Jody Fisher, is one of the books I continuously turn to time and time again.</p>
<p><span id="more-1845"></span>You can tell a lot about a jazz guitar player by his chord voicings. I believe, even more so than how he solos. So there must be something about Fisher&#8217;s playing that I really like, because I love this book! All of the material you would expect and require from a jazz guitar harmony book is covered here. I think it&#8217;s the way Fisher presents the material that strikes a chord (pun intended) with me.</p>
<p>There is not a lot of text explanation, but there are lots of examples to play and practice. Chapter 1 &#8211; a very short chapter on triads &#8211; is the only group of pages without direct practice material. But once you quickly get into Chapter 2 you are off to the races!</p>
<p>It&#8217;s both apparent and obvious to me that Fisher is a very good teacher, as his book builds progressively upon previous chapters to expand your chord vocabulary and knowledge of jazz harmony concepts. But it&#8217;s not just a book of chords to learn (though I have circled many a chord voicing to make sure I add to my playing). Rather, it&#8217;s a book that gives you just enough material to immediately add to your bag of tricks but also plenty of inspiration and a pathway to work out other ideas on your own. Nothing is too far-fetched or out of place; Fisher provides you with exactly what you need to know to get better quickly and build upon the foundation in your own way.</p>
<p>In addition to chords, progressions, leading tones, backcycling, passing chords, reharmonization, tritone substitutions, and a whole host of other ideas are presented in the book &#8211; all with simple but easy-to-understand explanations and lots of examples. I guess I should also mention that every example is written in standard notation and tablature, so you don&#8217;t have to be a sight-reading guru in order to get a lot out of this book.</p>
<p>I was hoping to be able to show a few pages from the inside of the book, but for copyright reasons I thought better of it. You can, however, see some example pages from <a href="http://www.amazon.com/gp/product/073902468X?ie=UTF8&amp;tag=fretterversec-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=073902468X">Amazon&#8217;s page</a>, so I encourage you to check it out and see some of the material.</p>
<p><a href="http://www.amazon.com/gp/product/073902468X?ie=UTF8&amp;tag=fretterversec-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=073902468X">Jazz Guitar Harmony</a> also comes with an audio CD in case you are one of those players (like me) who learn better when you can hear what&#8217;s going on along with seeing it on the printed page.</p>
<p>If you couldn&#8217;t tell already, I highly recommend this book. It is densely packed with important information but not so big that you will feel overwhelmed. A great book for both beginner and intermediate jazz guitar players.</p>
<p><a href="http://fretterverse.com/2010/09/10/jazz-guitar-harmony-by-jody-fisher-book/">Jazz Guitar Harmony by Jody Fisher (book)</a> is a post from: <a href="http://fretterverse.com">Fretterverse.com: Guitar Blog | guitar news &amp; reviews, amps, effects, guitars, music theory, guitar lessons</a>. If you are reading this on a site that is not Fretterverse.com, it's been ripped. Please come to the <em>real</em> Fretterverse.com.</p>
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		<title>Chord Hacks: Multi-Use Chord Voicings</title>
		<link>http://fretterverse.com/2010/02/08/chord-hacks-multi-use-chord-voicings/</link>
		<comments>http://fretterverse.com/2010/02/08/chord-hacks-multi-use-chord-voicings/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 14:01:34 +0000</pubDate>
		<dc:creator>Josh</dc:creator>
				<category><![CDATA[Chord Hacks]]></category>
		<category><![CDATA[Lessons]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[guitar chords]]></category>
		<category><![CDATA[jazz chords]]></category>
		<category><![CDATA[multi-use chord voicings]]></category>

		<guid isPermaLink="false">http://fretterverse.com/?p=759</guid>
		<description><![CDATA[Five chords, one fingering. Wouldn't that be a great way to learn guitar? Why struggle with trying to memorize thousands of chords when you can cut that number by half, five, or ten times? With multi-use chord voicings, it's possible!<p><a href="http://fretterverse.com/2010/02/08/chord-hacks-multi-use-chord-voicings/">Chord Hacks: Multi-Use Chord Voicings</a> is a post from: <a href="http://fretterverse.com">Fretterverse.com: Guitar Blog | guitar news &amp; reviews, amps, effects, guitars, music theory, guitar lessons</a>. If you are reading this on a site that is not Fretterverse.com, it's been ripped. Please come to the <em>real</em> Fretterverse.com.</p>
]]></description>
			<content:encoded><![CDATA[<p>Five chords, one fingering. Wouldn&#8217;t that be a great way to learn guitar? Why struggle with trying to memorize thousands of chords when you can cut that number by half, five, or ten times? With multi-use chord voicings, it&#8217;s possible!<br />
<span id="more-759"></span><br />
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<p><a href="http://fretterverse.com/2010/02/08/chord-hacks-multi-use-chord-voicings/">Chord Hacks: Multi-Use Chord Voicings</a> is a post from: <a href="http://fretterverse.com">Fretterverse.com: Guitar Blog | guitar news &amp; reviews, amps, effects, guitars, music theory, guitar lessons</a>. If you are reading this on a site that is not Fretterverse.com, it's been ripped. Please come to the <em>real</em> Fretterverse.com.</p>
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