If ever there was a day of the week when motivation simply does not exist, Hump Day would be it. It’s still a wee bit too early to get excited about the weekend, it’s never a paycheck day and, as much as you really want to sit around and do nothing, you know you can’t. [...]
Continue reading...Friday, January 14, 2011
It seems to me that one of the biggest hurdles beginner jazz guitarists face when it comes to comping is getting away from the bulky barre chords we all memorize when we first start playing. You know, the “all you have to do is lift up your pinky to get a minor 7th” kind of [...]
Continue reading...Monday, August 30, 2010
Joe Dochtermann, author of one of my new favorite books on audio recording and production, was kind enough to send me his new DVD – Guitar Concepts – which is available for purchase on his website. It’s always interesting to look at a person’s sophomore effort after hitting such a huge home run. Kind of [...]
Continue reading...Tuesday, February 16, 2010
EarMaster, the interactive ear training and music theory software program, is the most comprehensive learning tool I have seen in a very long time. The developers say: Covering pitch and rhythm training, music theory and solfege, EarMaster is a complete and powerful ear trainer for all musicians at any level. The question is, does it [...]
Continue reading...Wednesday, February 10, 2010
If you read my interview with Steve Herberman, then no doubt you read about George Van Eps‘ influence on his playing. Often considered the pioneer of 7-string jazz guitar, Van Eps left behind a legacy and a legion of fans and players who consider him a major influence. He left behind the classic CD “Mellow [...]
Continue reading...Saturday, January 16, 2010
Iām back with the third installment of my Music Theory Concepts series. For this article I would like to talk about intervals. In common terms, an interval is the relative distance from one pitch to another. Intervals determine chord types, scales/modes, and provide the basis from which key signatures are determined.
Continue reading...Wednesday, January 13, 2010
I don't know if you spent any time investigating the different string groups from my previous post, but I would like to continue exploring the string groups and how to bring some life to your chord playing.
Continue reading...Sunday, January 10, 2010
This will be a relatively small, (hopefully) informative article, but one that will set the foundation for subsequent chord lessons that I will be posting soon. Consider, as a standard practice, that you have four fretting fingers available when playing. Without the use of barring or double-fretting, you can play one note on any one [...]
Continue reading...
Wednesday, August 31, 2011
0 Comments