In the interest of keeping this blog fair — as much as I’m going to be talking about practicing, among other things — I thought that I would keep myself honest and journal my practice sessions. I will try to provide as much information as I can about my sessions. If you have any questions [...]
Continue reading...Friday, February 19, 2010
In the interest of keeping this blog fair — as much as I’m going to be talking about practicing, among other things — I thought that I would keep myself honest and journal my practice sessions. I will try to provide as much information as I can about my sessions. If you have any questions [...]
Continue reading...Wednesday, February 17, 2010
In the interest of keeping this blog fair — as much as I’m going to be talking about practicing, among other things — I thought that I would keep myself honest and journal my practice sessions. I will try to provide as much information as I can about my sessions. If you have any questions [...]
Continue reading...Monday, February 15, 2010
For the three of you that might care, I have finalized my practice routine for the foreseeable future. There is enough material to last for a long time, so we’ll see how effectively I progress. Seems like a lot to juggle, but I’m up to the challenge.
Continue reading...Wednesday, February 10, 2010
If you read my interview with Steve Herberman, then no doubt you read about George Van Eps‘ influence on his playing. Often considered the pioneer of 7-string jazz guitar, Van Eps left behind a legacy and a legion of fans and players who consider him a major influence. He left behind the classic CD “Mellow [...]
Continue reading...Thursday, January 28, 2010
Took me a while to find the video of me doing a slow chord melody of the head to I’ll Remember April, but I finally found it and have posted it for all of you to enjoy and criticize.
Continue reading...Sunday, January 10, 2010
This will be a relatively small, (hopefully) informative article, but one that will set the foundation for subsequent chord lessons that I will be posting soon. Consider, as a standard practice, that you have four fretting fingers available when playing. Without the use of barring or double-fretting, you can play one note on any one [...]
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Saturday, February 20, 2010
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