Today’s article is a guest post from guitarist Brett McQueen.
I think fingerpicking was one of the hardest things I had to learn for guitar. I always had problems getting my fingers to be steady and independent enough to cleanly pluck a string. However, like anything else, you have to start somewhere and it just takes some time and practice.
In this lesson, we’re going to look at a basic fingerpicking pattern, one that helped me develop some independence between my fingers. You’ll be able to use this for many different types of songs and over many different chords.
Finger Position
I see a lot of beginner fingerpickers using only their thumb and index finger to pick. Some people I’ve seen are surprisingly fast and quick at this, but by using only these two fingers, you really limit your speed and accuracy in the long run. What we want to do is use four fingers instead of two–our thumb (T), index (I), middle (M), and ring finger.
Generally, your thumb will be responsible for plucking the lowest three strings – the E, A, and D strings – while your index finger will be responsible for plucking the G string, your middle finger the B string, and your ring finger the high E string. This whole position can move up or down a string, but this should be considered your “start” position.
Fingerpicking Pattern #1
Our first fingerpicking pattern will use that default position. We are going to play over a C major chord. You will need to know how to read guitar tab to see these patterns.
At the top of each tab, we have the designated finger we will use to pluck the note, while at the bottom of the tab we have the meter or the time in which we will play the pattern. We will want to be counting out the time as we play.
As you can see, we will use our thumb to pluck the C note on the third fret of the A string, then our middle finger to pluck the C note on the 1st fret of the B string, then our thumb pluck the E note on the second fret of the D string, and then our index finger to pluck the open G string. Then, we repeat the pattern.
You will want to start very slow at first. Speed will come naturally as you get more comfortable, so don’t force it. Each string should ring out clearly and without any buzzing. When you can play this pattern up to speed with your eyes closed, you’re ready to move on.
Alternating Bass Fingerpicking Pattern
Once we get comfortable with the first pattern, we can use the same C chord but alternate the bass notes being plucked. The rule of thumb is that you want to pluck the bass note that is the root note of whatever chord you are playing. For example, in this case we are playing a C chord, so the first bass note we pluck should be a C note.
In this pattern, we will alternate the bass from the C on the third fret of the A string to the G on the third fret of the low E string.
Again, you want to start slow, and you want to make sure you are counting aloud and playing in time. Each note should ring out clearly without any buzz or interference.
Adding a Chord Change
When you feel up for the challenge, you can even add in a chord change with the alternating bass fingerpicking pattern. In this example, we will change from a C major chord to an A minor chord. You’ll notice that we alternate the bass in both chords.
Again, start slow and practice good time. When you get a good grasp on these patterns, you can start applying them to different songs you know by just modifying the tempo and the chords you play the pattern over. What songs can you think of that this pattern could fit over.











Nice one Brett! I’ve only been following Josh for a few months now, but this is the first time I’ve seen some “proper” guitaring on his blog – and he didn’t even write it!
Fingerstyle, of pretty much any form, is my favourite. Probably because I never learnt how to hold a flatpick
It’s interesting you went straight to alternating bass picking. Classical style arpeggios don’t scream out “play me!” whereas alternating bass is a very challenging and enjoyable concept for our finger-challenged guitar brothers. When I first came across it I couldn’t get enough of it, but I must admit I very quickly tired of it. It’s kind of, erm, gimmicky. Don’t tell the Chet-fans I said that though.
But I can think of no better introduction to thumb independence, which is the key to serious fingerstyle. In fact, I’d say a bit of classical style to start with to get flat plectrum wielder’s fingers a bit more nimble, then some alternating bass to start some brain disconnection of the thumb and fingers, and then start attempting to play stuff like my fingerstyle hero, Naudo
JAW
JAW recently posted: Naudo’s guitar up for sale-
JAW, excellent thoughts. I would agree that the alternating bass patterns are fun to learn and fun to play, and then after awhile, they get a little “hokey” sounding. I never was fully interested enough in the Chet-style to dive too deep into it. I always admired how complex it sounded, but always seemed to be drawn to learning other things. However, it did get my fingers moving enough to allow me to apply the independence I developed to other fingerpicking styles.
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I find myself being better at some tough songs like bron yr-aur ? by zep, and then struggling with straight foreward rythmic baseline songs. Odd.
Dave, I’m curious how you are approaching each song to learn them. If you are struggling with certain things, what have you been doing to work on them?